By turns funny and furious, raucous and rueful, Warner unravels this story of abject failure with winning aplomb

Written in carefully crafted prose shot through with cleverly-deployed alliteration and assonance, this reimagining of Charles Edward Stuart’s escape from Culloden is a triumph

Warner masticates on language joyously,' 'a brilliantly chewy recreation,' 'It’s easy to imagine Robert Louis Stevenson and Walter Scott grinning in admiration at these lines

Polygon Books' Darkland Tales series of novellas have been among Scottish literature's most exciting books of recent times

There's something about the author's style and use of language that draws you into the moment in a very visual way

a thrilling historical novel

Bringing a fascinating historical figure to vivid life, the author of Morvern Callar and Kitchenly 434 reimagines the last, dramatic flight of Bonnie Prince Charlie in the aftermath of the Battle of Culloden

 'Every bit as gloriously immersive and vibrantly surreal as you’d hope

One of the most interesting developments in Scottish publishing

A tour-de-force of the author's fertile imagination... Warner has painted a warts-and-all canvas of a volatile, violent period

I have not read anything quite like it. Warner's style is captivating

So, so beautifully evocative... a resounding success of a novella and comes as highly recommended by our team

A story that is lyrical and humane but peppered with dark humour

visceral, vulgar, vivid, by turns comic and grotesque, yet with a powerful undertow of elegy and sorrow

With lashings of dark, earthy wit... [Warner] writes beautifully and injects life into a wide cast of historical characters

The poetry of the descriptions and the believability of the dialogue amply grip the reader’s attention... a great pleasure

Warner’s work is iconoclastic at the best of times; here, commissioned to write about this time-period as part of a series on Scottish history, he’s been gifted an ideal subject

a fresh look through fiction at the often sneered-at prince... Warner seems to relish reassessing his royal 'brigand

stupendously earthy, laugh out loud funny in places, visceral writing

A terrifying journey through the most inhospitable terrain, with all its gory and violent staging posts, plagued by midges and Hanoverian soldiers, but where the most insignificant tuft of grass, or heather covered hillock, or the fragility of the light, is immortalised for its beauty' 

Warner’s searing vision of Hebridean hell reconfirms his role as bard of the Gàidhealtachd’s seamier side, in prose that draws on lyrical traditions far older, and more resilient, than the House of Stuart’s claim to lord it over them

compulsive, immersive, engrossing, and witty